Detailed description
There is no single grade of hook and loop, only grades matched to a job. The material, the width and the put-up below are the three variables worth settling before the first order, because changing any of them later re-opens the price.
What the buyer is choosing
Grade and backing are separate decisions. The same woven face is supplied plain for stitching, coated with acrylic for panels, or coated with rubber for rough and low-energy surfaces. Buying the face and the backing as one item is what produces the 'it stuck for a week then fell off' complaint.
The material question
The fibre is nylon (polyamide). It takes dye deeply, which is why the colour range is wide and why the colour holds through washing at 40 degrees. Its weakness is moisture regain: a nylon roll absorbs water in transit, measures wide on arrival and settles back over about a week, so allow for it in incoming inspection rather than rejecting the lot.
This one carries a pressure-sensitive backing, so the substrate decides the result more than the tape does: powder coat and acrylic hold, polypropylene and polyethylene have too little surface energy and will let go under load.
How it is quoted
Quotations are built from construction, width and colour, in that order. Change any one of the three and the price moves, which is why we ask for all three before quoting instead of sending a range and adjusting afterwards.
What ships with the goods
Peel and width are measured on the production lot, not on a sample kept from an earlier run. If your incoming inspection uses a different pull speed or dwell time, tell us and we will match it so the two numbers can be compared.
Checking it on arrival
Weigh a metre of the roll. Weight per metre is the fastest proxy for yarn density, and it is the number that shifts quietly when a supplier tries to hold a price through a yarn increase.
Send the grade, width and colour with the annual volume and the quote comes back against a real construction rather than a catalogue range.